Paul McCreesh conducted the Gabrieli Consort and Players and used the edition that he and Christopher Suckling devised, which includes some pieces from Dioclesian; the performing pitch was A=392Hz. Although my short memorisation paled in significance to the singers who all performed entirely off-copy, I played the first two entries from memory (Come If You Dare, and Trumpet Tune) and from high on the choir riser. I performed the Act V Symphony with Catherine Martin (violin) and Joel Raymond (oboe) [and the remaining numbers] from the normal stage level.
It was great to listen to, and play, Purcell’s King Arthur again after all this time. My wife and I had chosen several movements from King Arthur to be played at our wedding, and I have happy memories of playing King Arthur when I first played with Vox Luminis at Snape Maltings, and on several other occasions
Wonderful trio from @MBJFarnsworth @JamesTenorGilch and Jeremy Budd with @GabrieliCandP yesterday @3choirs in Worcester. Who else but Purcell could write such a gem about wool? pic.twitter.com/ZPyy7r9EnS
— Oliver Webber (@Violino1567) July 27, 2021